By Elin Spring and Suzanne Révy
At last! It is starting to feel like summer in New England. Time for the fair weather photographers among us to go out and make pictures! Looking for inspiration? Check out our selection of exhibitions in and around Boston and beyond, organized geographically for your planning convenience. But hurry, several exhibitions listed here will close this weekend. And be sure to check back as we update listings throughout the month.
We’d like your help. Our next Best Photo Picks will be a combined listing of July and August exhibits and events. Because so many of us travel throughout the summer months, it will also expand to include shows all over New England. Here’s how we’d appreciate your help: if you know of an exhibit in western Massachusetts, Vermont, New Hampshire, Maine, Rhode Island or Connecticut that you would like us to consider for inclusion in our Summer Best Photo Picks, please contact us using the form at the bottom of this article.
BOSTON PROPER

“Photographer in the Field” from the exhibition Real Photo Postcards: Pictures from a Changing Nation on view in the Herb Ritts and Clementine Brown Galleries at the Museum of Fine Arts Boston.
Museum of Fine Arts, Boston – In 1903, Eastman Kodak Company introduced the “postcard camera” which allowed users to produce pictures both rapidly and inexpensively. This spurred an ongoing postcard craze and hastened the end of a Victorian photographic formality. Suddenly pictures of everything from train wrecks to silly antics were plentiful, inadvertently providing a chronicle of how America was growing and changing in the early 20th century. Featuring more than 300 works drawn from the MFA’s Leonard A. Lauder Postcard Archive, this exhibition will be on view through July 25th, 2022.
To read our review: https://www.whatwillyouremember.com/real-photo-postcards-at-the-museum-of-fine-arts-boston/
For more information, go to: https://www.mfa.org/exhibition/real-photo-postcards

Dawoud Bey: Night Coming Tenderly, Black in the Frances Vrachos Gallery / Mary Stamas Gallery at the Museum of Fine Arts, Boston. (Installation photograph by Suzanne Révy)
Also at Museum of Fine Arts, Boston – Dawoud Bey: Night Coming Tenderly, Black imagines the routes traveled by escaped enslaved people as they traveled nights through northeast Ohio seeking freedom. Bey’s low key, moody prints carry viewers through marshes, dark woods, and quiet back yards en route to Lake Erie. This ongoing installation is on view in the Frances Vrachos Gallery / Mary Stamas Gallery (Gallery 148).
For more information: https://www.mfa.org/gallery/dawoud-bey-night-coming-tenderly-black
McMullen Museum of Art at Boston College – Martin Parr: Time and Place is the first major U.S. museum survey for the Magnum photographer, featuring over 135 works and an extensive collection of photobooks, curated by Karl Baden. With an emphasis on four decades of images from Ireland, his vivid social documentary photographs made throughout Europe, North America, the Middle East, Africa, and Asia underline Parr’s signature documentary style of juxtaposing feelings of familiarity and alienation in a colorful and often humorous anthropological study of humanity. LAST CHANCE! On view through June 5th, 2022.
To read our review, go to: https://www.whatwillyouremember.com/martin-parr-time-and-place-at-mcmullen-museum-of-art-at-boston-college-ma/
For information about the exhibit and associated programming, go to: https://www.bc.edu/sites/artmuseum/exhibitions/parr/

“Iguazu Falls, Argentina” by Lois Conner, 2005, from the series Flat Earth, three 17″x7″ gelatin silver contact prints, courtesy of the artist and Robert Klein Gallery, Boston.
Robert Klein Gallery – A solo show of Lois Conner’s vintage gelatin silver landscapes and platinum prints, Flat Earth, is curated by Leandro Villaro (Penumbra Foundation) and features twenty-three multi-panel and seventeen individual prints. Dedicated to the school of slow looking, Conner’s images are at once sweeping and detailed, decontextualized and specific, sumptuous and serene. On view through June 30th, 2022.
To read our review, go to: https://www.whatwillyouremember.com/lois-conner-flat-earth-at-robert-klein-gallery-boston/
For more information, go to: https://www.robertkleingallery.com/

“Manda Yawanawá, from the village of Escondido” from the series Amazonia © Sebastiao Salgado, courtesy of Robert Klein Gallery, Boston.
Also at Robert Klein Gallery – The masterful Sebastiao Salgado turns his inimitable eye to the Amazon in his quest to bring environmental awareness to a region crucial to our survival. On view through August 28th, 2022.
For more information, go to: https://www.robertkleingallery.com/
The Griffin Museum at Lafayette City Center – Color Theory group exhibition gathers imagery that recognizes the profound ways that color shapes our emotions. Curated by Crista Dix, Executive Director of the Griffin Museum, the selection also celebrates our emergence from a lengthy pandemic and dark winter. On view through June 13th, 2022.
For information about planned events, go to: https://griffinmuseum.org/show/color-theory/

From the exhibition “Vantage Point: The View from Here” by Cindy Konits, courtesy of the artist and the Griffin Museum of Photography.
The Griffin Museum at Lafayette City Center- Opening later this month, Vantage Point: The View from Here brings together sixty photographers with sixty points of view to consider. On view June 21st through September 12th, 2022 with a reception planned for August 14th, 4 to 6pm.
For more information: https://griffinmuseum.org/show/vantage-point-the-view-from-here/
Panopticon Gallery – The themed, group show Film Is Not Dead, curated by Alexa Cushing and Brandon Dunning from Panopticon Imaging, indulges us with the real deal – pleasingly sensual prints from film. On view though June 30th, 2022.
For more information, go to: https://www.panopticongallery.com/
SOWA AND FORT POINT

Feature Image: From the series and book A Parallel Road by Amani Willett, courtesy of the artist and Abakus Projects, Boston.
Abakus Projects, SoWa – Amani Willett’s stunning project and book A Parallel Road (Overlapse, 2020) chronicles the terrors and pleasures of the American road trip for Black Americans. Taking its conceptual cue from the famous The Negro Motorist Green-Book, first published in 1936 to offer advice on avoiding the treacherous dangers of “driving while Black,” Willett’s created and vernacular images swerve between uplifting and heartbreaking, mapping out an unforgettable journey.
There will be an Opening Reception on First Friday, June 3rd, 2022 from 6:00pm – 8:30pm in the exhibition space located on the third floor of 450 Harrison Avenue. The show will remain open to the public the following two days from 11:00am – 4:00pm, and through June 26 by appointment.
To read our review of A Parallel Road, go to: https://www.whatwillyouremember.com/the-certainty-of-nothing-by-sandi-haber-fifield-night-calls-by-rebecca-norris-webb-a-parallel-road-by-amani-willett-book-reviews/
For more information about this exhibit, go to: https://www.abakusprojects.com/

“Sunrise Through the Trees Over My House, Autumn” (Color Separation with Three B&W Negatives), Unique Cyanotype and Inkjet over Gelatin Silver Print by Caleb Charland, courtesy of the artist and Gallery Kayafas, Boston.
Gallery Kayafas, SoWa – Photographer Caleb Charland is enthralled by the (mostly invisible) laws of physics and utilizes a variety of photographic processes to offer viewers the splendor of our physical world in imaginative ways only a camera can capture. For his solo show Sundial, he has essentially inverted the process of early color photography by creating “color separation,” revealing an entrancing kaleidoscope of photographic wonders.

“Untitled (milkweed floating)” from the series Calling the Birds Home by Cheryle St. Onge, courtesy of the artist and Gallery Kayafas, Boston.
Also on view, Ongoing Work curated Gus Kayafas features a selection of recent portfolios of black and white photographs by Michael Hintlian, Ross Kiah, Maxwell LaBelle, Michael Lafleur, Cheryle St. Onge, and Lee Wormald.
All exhibits are on view from June 3rd – July 9th, 2022. There will be Artist Receptions on First Friday, June 3rd 2022 and also on July 1st, 2022 from 5:30 – 8:00pm.
For more information, go to: https://www.gallerykayafas.com/
Howard Yezerski Gallery, SoWa – Sandra Stark’s solo show My Terra Cognita features theatrical, surreal constructed landscapes in which she invokes the outdoors from within her studio to create “destabilizing and enigmatic still lifes.” On view through June 18th, 2022.
for more information , go to: https://www.howardyezerski.com/

Left: Marley, Three Steps Down (detail), mixed media. Right: Craig, Study 3 (detail), cyanotype and ink.
Fountain Street Gallery, SoWa – Photographer Marie Craig is featured in Melange, a two woman show of experimental hybrids. Craig works in cyanotype and ink to interpret both the natural and built worlds while Marley combines acrylic paint and cut paper to create environs rich with pattern and texture. On view from June 29th – July 24th, 2022.
For more information, go to: https://www.fsfaboston.com/upcoming-exhibits

“Cosmos and Dahlias, Late August” by Mary Lang, 2021 from the show Farandnear, courtesy of the artist and Kingston Gallery, Boston.
Kingston Gallery, SoWa– Mary Lang presents pictures inspired by walks at Farandnear, a Trustees of Reservations property in Shirley, Massachusetts. Lang took weekly hikes there and at Mass Audubon properties during the pandemic. It became a salve for their souls, and the pictures emphasize the restorative power of nature. On view through June 26th, 2022.
For more information: https://www.kingstongallery.com/lang-main-gallery
FPAC Gallery, Fort Point – In the group show Reconstructed, five photographers who immigrated to the United States explore the challenges of identity and assimilation with a depth, poignancy and range of approaches that reflects the diversity of their personal experiences. Exhibiting artists include (L to R above): Eleonora Ronconi, Astrid Reischwitz, Iaritza Menjivar, Hugo Teixeira, and the show’s curator Yorgos Efthymiadis. LAST CHANCE! On view through June 4th, 2022.
To read our review, go to: https://www.whatwillyouremember.com/yorgos-efthymiadis-astrid-reischwitz-hugo-teixeira-eleonora-ronconi-and-iaritza-menjivar-in-reconstructed-at-fpac-gallery-in-fort-point-boston/
For more information, go to: https://www.fortpointarts.org/programs/galleries/gallery-at-300-summer/
Photographic Resource Center (PRC) at FP3 Gallery, Fort Point – The Photographic Resource Center (PRC) presents a group show When Time Matters that explores the perception of time – how it seems to fly or stand still – all the more intensified by the pandemic. Featuring the work of PRC Board and/or Programming Committee members Eric Nichols, Steven Duede (above), Faith Ninivaggi and Suzanne Révy, the show will be on view through June 29th, 2022.
For more information, go to: https://www.prcboston.org/when-time-matters/
CAMBRIDGE, ALLSTON, SOMERVILLE AND WATERTOWN

Anneliese Hager, German, Untitled, 1950s–60s. Gelatin silver print (photogram). Harvard Art Museums/Busch-Reisinger Museum, Gift of the German Friends of the Busch-Reisinger Museum, 2018.323. Estate of Anneliese Hager. Image courtesy of Harvard Art Museums; President and Fellows of Harvard College.
Harvard Art Museums, Cambridge – “White Shadows: Anneliese Hager and the Camera-less Photograph” showcases the photograms of an accomplished and influential surrealist artist. An inventive naturist and poet, Anneliese Hager (German, 1904-1997) created over one hundred photograms, many of which were lost to the bombing of Dresden in 1945. The Harvard Art Museums recently acquired 29 of these rare prints and places them into context with work by 19th century predecessors like Anna Atkins, famous for her cyanotypes of plants, as well Hager contemporaries, including Marta Hoepffner and László Moholy-Nagy. On view through July 31st, 2022.
To read our review: https://www.whatwillyouremember.com/white-shadows-anneliese-hager-and-the-camera-less-photograph-at-harvard-art-museums-cambridge-ma/
For more information about the exhibit and associated programming, go to: https://harvardartmuseums.org/exhibitions/6120/white-shadows-anneliese-hager-and-the-camera-less-photograph

“Ladybug Dybbuk” from With Rifts and Collapses by Hannah Altman, courtesy of the artist and Gallery 263, Cambridge.
Gallery 263, Cambridge – In her first-ever solo exhibition in New England, photographer Hannah Altman presents With Rifts and Collapses, featuring images that consider Jewish storytelling and image making. “Through photographs that explore Jewish narrative structures, iconography, and repetition, Altman’s images build rooted and incomplete worlds. To approach an image in this way is not only to ask what it looks like but asks, what does it remember like?” On view from June 9th – July 9, 2022, with a reception on Saturday, June 11th, 2022, from 6:00–8:00pm, and an artist talk on Thursday, June 16th, 2022, from 6:00–7:00 PM.
For more information, go to: https://www.gallery263.com/exhibitions/withriftsandcollapses/

Photograph © Pentti Sammallahti, courtesy of Bridge Gallery, Cambridge.
Bridge Gallery, Cambridge – The legendary Finnish master photographer Pentti Sammallahti is coming to Bridge Gallery! Born in Helsinki in 1950, Pentti has traveled the world extensively, gravitating to cold and remote places, capturing singular moments with timeless elegance. On view from June 4th – July 2nd, 2022, there will be an Opening Reception on Saturday June 4th from 5:00 – 9:00pm.
For more information, go to: https://www.bridge.photos/contact

From Postcards from Allston by Edward Boches, courtesy of the artist.
Crossings Gallery, Allston – Created by the documentarian Edward Boches, Postcards From Allston features the rich visual texture of this diverse neighborhood and documents the many changes underway there. On view from June 2nd – September 9th, 2022.
Join an opening celebration at the Harvard Ed Portal on Tuesday, June 7th from 5:00 – 7:00pm! Celebrate with DJ Panda, Ice Cream Treats, Muralist, Chalk Activities, Summer Arts Open House, and more.
For more information, go to:https://edportal.harvard.edu/postcards-allston
Arts at the Armory- Somerville- Through These Realities brings together six poets and six photographers of color in a visual and written dialog around social justice. Organized by Joshua Sariñana and supported by the Somerville Arts Council, six poems and forty-one photographs will be on view from June 10th through July 22nd, 2022.
For more information: https://www.throughreality.com/exhibition
Photographic Resource Center at Storefront Art Projects, Watertown – Documents for an Imagined Future brings together the work of Vanessa Leroy (above), whose work envisions an uplifted future for marginalized people and and DM Witman, who explores ecological grief and strategies for surviving in the Age of the Anthropocene. Independent curator Sarah Pollman presents this conceptually themed show, LAST CHANCE! on view through June 4th, 2022.
THE BURBS

“Wyatt Earp” By David Levinthal from the series Wild West, 1986-88, courtesy of the artist and the Griffin Museum of Photography.
Griffin Museum of Photography – Winchester, MA – Since the early 1970’s David Levinthal has been playing with toy soldiers, cowboys and matchbox cars in still life images that question the myths of American news events, wars and cultural life. A selection of his luscious Polaroid images will be on view in America! America! Exploring History, Myth and Memory organized by former Polaroid Collection curator Barbara Hitchcock. LAST CHANCE! on view through June 5th, 2022!
Also on view, Stephen Albair’s Silent Scenes and Philip Sager’s Veiled Actualities with an artist talk on May 17th. Both exhibitions will be on view through June 5th 2022.
To read our review, go to: https://www.whatwillyouremember.com/constructing-myths-at-griffin-museum-in-winchester-ma-with-david-levinthal-philip-sager-and-stephen-albair/

From the series Hidden in Plain View by Donna Dangott, courtesy of the artist and the Griffin Museum of Photography.
Coming to Griffin Museum of Photography, Winchester, MA – Hidden in Plain View by Donna Dangott and Enigma by Olga Merrill explore the healing power of nature in layered images of faces that mine the wounds of childhood trauma or the bonds of humanity to nature. On view from June 9th – July 3rd, 2022 with an Opening Reception planned for Sunday, June 12th from 4:00 to 6:00pm.
For more information, go to: https://griffinmuseum.org/upcoming-exhibitions/

From the series Enigma by Olga Merrill, courtesy of the artist and the Griffin Museum of Photography.
And, starting tomorrow night through the month of June, the Griffin will present a series of online and in-person events on the Art of the Photobook, offering a wealth of knowledge regarding collecting and publishing photography books. For more information and to register go to: https://griffinmuseum.org/photobook-june-2022/
For more information about all the museum’s exhibitions and events, go to: https://griffinmuseum.org

“Salita Door” by Georgia O’Keeffe, 1956-7, gelatin silver print, courtesy of the Georgia O’Keeffe Museum, Santa Fe and the Addison Gallery of American Art ©Georgia O’Keeffe Museum
Addison Gallery of American Art, Andover, MA – Primarily known as a painter of flowers, skyscrapers, animal skulls, and the southwestern desert, Georgia O’Keeffe had a lifelong interest in photography. This exhibition is the first to examine the role of photography in her artistic practice. Featuring nearly one hundred rarely seen prints, the images reveal her interest in modernist form, texture, light and shadow. For context, the Addison is exhibiting work by one of O’Keefe’s teachers, Arthur Wesley Dow as well as a series of photogravures from Camera Work, the early 20th century magazine published by her husband, photographer Alfred Stieglitz. On view through June 12th, 2022.
To read our review, go to: https://www.whatwillyouremember.com/georgia-okeeffe-photographer-at-the-addison-gallery-of-american-art-andover-ma/
For more information: https://addison.andover.edu/Pages/default.aspx

“Longing” 2018, from the series Seeing You, Seeing Me by Becky Behar, courtesy of the artist.
Concord Free Public Library, Concord – Inspired by Dutch artists, photographer Becky Behar’s solo show Seeing You, Seeing Me explores the legacy of personal history. Her symbol laden still-life studies and serene portraits – created in collaboration with her daughter on the cusp of adulthood -meditate on what is passed down through the generations. On view in the Main Library Art Gallery from June 2nd – June 29th, 2022, there will be an Opening Reception with the artist on Thursday, June 9th, 2022 from 6:00 – 7:30pm.
For more information on the exhibit, go to: https://concordlibrary.org/news-events/exhibits

Boston Camera Club celebrates its 140th anniversary at the Wellesley Free Library.
Wellesley Free Library, Wellesley – In celebration of the Boston Camera Club’s 140th anniversary, the Past and Present exhibition showcases 53 photographs from 31 ‘present’ members in visual conversation with a selection of ‘past’ images from the club’s extensive archives, including those by luminaries like F. Holland Day, Bradford Washburn, and Harold “Doc” Edgerton. On view through June 25th, 2022.
For more information, go to: https://www.wellesleyfreelibrary.org/at-the-library/exhibits/

“1492: the Niña, the Pinta and the Santa María” 2021 by Claudia Ruiz-Gustafson, courtesy of the artist and Danforth Art.
Danforth Art Museum, Framingham, MA – Five Years of Aspect Initiative brings the online gallery “Aspect Initiative” created by Steven Duede in 2016, into the real world. Several times a year, the online gallery showcases the work of one artist along with a short curator’s essay, and has so far amassed a collection of over thirty of the brightest contemporary New England based photographers. Co-curated by Danforth director Jessica Roscio, this inspiring show underscores the breadth of our region’s photographic practice. LAST CHANCE! On view through June 5th 2022.
To read our review, go to: https://www.whatwillyouremember.com/five-years-of-aspect-initiative-group-show-at-danforth-art-museum-in-framingham-ma/
For more information: https://danforth.framingham.edu/see-art/

“Carmi, IL” 2012 by Frank Armstrong, courtesy of the artist, the Fitchburg Art Museum and Gallery Kayafas, Boston, MA.
Fitchburg Art Museum, Fitchburg, MA – In American Roadsides, we are treated to recent color imagery by veteran photographer Frank Armstrong, whose discerning eye and droll sensibility pinpoint cultural markers through revealing landscapes. Armstrong’s influence and legacy are further demonstrated by the inclusion of photographs by seven of his students: Russell Banks, Sarah Bilotta Belclaire, Rachel Loischild, Greer Muldowney, Jasper Muse, Eric Nichols, and Catherine Wilcox-Titus. LAST CHANCE! On view through June 5th, 2022.
To read our review, go to: https://www.whatwillyouremember.com/american-roadsides-frank-armstrongs-photographic-legacy-fitchburg-art-museum-ma/
For more information, go to: https://fitchburgartmuseum.org/american-roadsides-frank-armstrongs-photographic-legacy/

“Wyoming State Death House Prison, Rawlins, WY” by Stephen Tourlentes, 2000, courtesy of the artist, Carroll & Sons, Boston, MA and the Davis Museum, Wellesley, MA.
The Davis Museum at Wellesley College, Wellesley, MA – Organized by Aperture Foundation, Prison Nation explores how photography records the toll of mass incarceration on American society. The group exhibition includes work by Stephen Tourlentes (above), Zora Murff, Lucas Foglia, Deborah Luster and Chandra McCormick, among others. The museum recently re-opened to the public and this show. LAST CHANCE! on view through June 5th, 2022.
To read our review, go to: https://www.whatwillyouremember.com/prison-nation-at-the-davis-museum-at-wellesley-college-ma/
For more information, go to: https://www.wellesley.edu/davismuseum/whats-on/current/node/189951

Barkley L. Hendricks, Self-Portrait with a Black Hat, 1989–2013. Digital c-print. © Barkley L. Hendricks. Courtesy of the artist’s estate and Jack Shainman Gallery, New York.
The Rose Museum at Brandeis University, Waltham, MA – The painter Barkley L. Hendricks (1945-2017), renowned for his “tender and immaculate” life-size portraits of people of color, liked to refer to his photographs as “my mechanical sketchbook.” Barkley L. Hendricks & Photography highlights the significant role of photography in the artist’s practice, illuminating relationships between photographs, Polaroids, prints and paintings. On view through July 24th, 2022.
For information about the exhibit and associated programming, go to: https://www.brandeis.edu/rose/exhibitions/2022/barkley-hendricks.html

María Magdalena Campos-Pons, When I am Not Here/ Estoy Allá, Identity Could Be a Tragedy, 1995-1996. Composition of 6 Polaroid Polacolor Pro 20×24 in photographs. Framed: approx. 26x22in each (66×55.9 cm). © María Magdalena Campos-Pons. Purchased through the Eliza S. Paine Fund. Image courtesy of the artist. 2003.4
Worcester Art Museum (WAM), Worcester, MA – Addressing identity as a socio-political issue has been a central theme for artists since the 1970s. Us Them We | Race Ethnicity Identity addresses ways that contemporary artists accentuate concepts like race and ethnicity through various visual strategies. Co-curated by Nancy Kathryn Burns, Stoddard Associate Curator of Prints, Drawings and Photographs at WAM, and Toby Sisson, Associate Professor and Program Director of Studio Art at Clark University, the exhibit features over 50 objects across a broad spectrum of media including photography by artists including María Magdelena Campos-Pons and Lorna Simpson, along with prints, painting, and sculpture. On view through June 19th , 2022.
For more information, go to: https://www.worcesterart.org/exhibitions/us-them-we/

Bob Dylan’s Greatest Hits album cover © Rowland Scherman, courtesy of the artist and PAAM, Provincetown.
Provincetown Art Association & Museum (PAAM), Provincetown – Rowland Scherman (b. 1937) photographed many of the iconic musical, cultural, and political events of the 1960’s, including the 1963 Newport Folk Festival, the March on Washington, the Beatles’ first US concert, and Woodstock. He traveled with Bobby Kennedy on his campaign for the presidency, went on tour with Judy Collins, was in the studio when Crosby, Stills, and Nash recorded their first album. In 1968, he won a Grammy Award for the cover photo of Bob Dylan’s Greatest Hits album (above). Co-curated by Jane Paradise and Andy Wentz, Rowland Scherman: Spirit of the 6o’s will be on view through June 26th, 2022.
FREDI SCHIFF LEVIN LECTURE WITH THE ARTIST AND CURATORS ON THURSDAY, JUNE 16th AT 6:00PM.
For more information, go to: https://paam.org/rowland-scherman-spirit-of-the-60s/
ROAD TRIP!
Rhode Island
Rhode Island Center for Photographic Arts, Providence, RI – This open call for photographers employing the venerated cameras seeks to define their mystique. Juried by Eileen McCarney Muldoon and Olaf Willoughby, the exhibit includes regional, national and international photographers which emphasize the breadth of photographic practices employing Leica cameras. On view from June 16th through July 15th with a reception planned for June 16th from 5 to 8pm.
For more information: https://www.riphotocenter.org/the-leica-mystique/
Connecticut

“Sunset at Sherwood Island State Park, CT” 1978 gelatin silver print © Larry Silver, courtesy of Bruce Silverstein Gallery, NYC.
Walsh Gallery, Fairfield University Art Museum, Fairfield – In 13 Ways of Looking at Landscape: Larry Silver’s Connecticut Photographs, guest curator Leslie K. Brown, Ph.D. has gathered over 80 photographs that bring together over 40 years of Photo League photographer Larry Silver’s images, made since he re-located from his native New York City to Westport, CT in 1973. Referencing the famous Wallace Stevens poem, “Thirteen Ways of Looking at a Blackbird,” Brown has organized the exhibit into 13 clusters, visual and thematic equivalents of the poet’s stanzas. Each focusses on an aspect or aesthetic strategy of Silver’s multifaceted land- and sea-scapes from several regions of Connecticut. This unique viewing and spatial experience will be on view through June 18th, 2022.
For more information, go to: https://www.fairfield.edu/museum/larrysilver/

“Icarus”, 1970 silver gelatin photograph © Adger Cowans, courtesy of Bruce Silverstein Gallery, NYC.
Bellarmine Hall Galleries, Fairfield University Art Museum, Fairfield – Curated by Halima Taha, Sense and Sensibility presents “Adger Cowans’s use of photography to articulate the beauty within the human condition and the world we live in with over fifty images from his illustrious career.” One of the founding members of the famous Kamoinge Black photographers group and former assistant to Gordon Parks, Adger’s retrospective will be on view through June 18th, 2022.
For more information, go to: https://www.fairfield.edu/museum/adgercowans/
Vermont

From the exhibition Mark Guglielmo, Spirits in the Land, courtesy of the artist and the Vermont Center for Photography, Brattleboro, VT.
Vermont Center for Photography, Brattleboro – Mark Guglielmo: Spirits in the Land explores the artist’s Italian heritage in vibrant photographic collages that address memory, family and immigration. Made during pilgrimages to Sicily over three years, Guglielmo employs his own pictures with archival images, which are as layered as the diverse cultures of southern Italy. An artist talk is scheduled for the exhibition’s final day on Sunday, June 26th, 2022 from 6:00 – 7:00pm.
For more information: https://vcphoto.org
Maine

“Flowers 09” by Carol Eisenberg, 2020, from the series Flowers on the Verge, courtesy of the artist and The Maine Museum of Photographic Arts.
Maine Museum of Photographic Arts, Portland, ME – Employing digital and alternative analog processes, Carol Eisenberg and Cole Caswell are featured together in a two person show. Eisenberg makes pictures in mid-coast Maine where she lives half the year, and in Tel Aviv where she also resides, then layers the images digitally seeking tension between the contrived and the natural. Caswell uses cyanotype, wet plate and experimental photography to ponder humanity’s drive for survival in the landscape. On view through June 25th, 2022.
For more information: https://www.mainemuseumofphotographicarts.org

“Garden Apparition #5” by Cole Caswell, 2022, courtesy of the artist and the Maine Museum of Photographic Arts.
Cove Street Arts, Portland- In the third and final installment of a series of “Faculty Photography” shows, Bruce Brown curates a selection from the teachers at the Maine Media Workshops including Elizabeth Greenburg (above), Charles Altschul, Tillman Crane, Charlotte Dixon, Scott Fuller, Brenton Hamilton, Cig Harvey, Sal Taylor Kydd, Joyce Tenneson and Richard Reitz Smith. On view from June 11th through July 30th, 2022. An opening reception is planned for June 11th from 1 to 3pm.
For more information: https://www.covestreetarts.com/exhibitions-1/mmw
Colby College Museum of Art, Waterville – Act of Sight: The Tsiaras Family Photography Collection features 150 images from this important 2020 gift to the museum, including work by Ralph Eugene Meatyard (above) and a veritable hit parade of masters from the Modernists to Magnum. On view through August 14th, 2022.
For more information, go to: https://museum-exhibitions.colby.edu/exhibition/act-of-sight-the-tsiaras-family-photography-collection/?fbclid=IwAR3AGap3kMv4HSpMq27fH2cRzTLruwlXGqSwpiW3M2jeHPtXwejwJX319Es