By Elin Spring and Suzanne Révy
October, already. The fall harvest of photography exhibits & events is at least as colorful as the New England landscape. As always, we have arranged our recommendations geographically for your planning convenience and invite you to check back throughout the month for new exhibit openings and associated programming.
SOWA -Boston’s South End Arts District
“It Comes In Waves” 2023 Cyanotype with sea water on Arches watercolor paper by Camilla Jerome, courtesy of the artist and Gallery Kayafas, Boston.
Gallery Kayafas – Camilla Jerome’s solo exhibit Bodies of Water is a visualization and meditation on disability as a fluid state. Collecting samples of water from ocean and bath, Jerome makes cyanotypes with salt, sand, soap, and seaweed in a variety of tones and textures that emulate water and its ability to disrupt expectations.
Also on exhibit, Collection Selections IV features over 20 photographs from the gallery’s private collection including work by Sally Mann (photo below), Duane Michals, Andrea Raynor, and Martin Parr.
On view through October 14th, 2023, there will be a First Friday Reception on October 6th from 5:30 – 8:00pm.
For more information, go to: https://www.gallerykayafas.com/
“Family Portrait” circa 1989 by Sally Mann, courtesy of Gallery Kayafas, Boston.
“A Breath of Breeze Carries a Half-Remembered Dream,” Dye sublimation on aluminum by Vaughn Sills, courtesy of the artist and Kingston Gallery, Boston.
Kingston Gallery – In her solo show Joy and Sorrow Intertwined, Vaughn Sills creates dramatic juxtapositions invoking birth and death in the natural world. Her wistful still-lifes express a spiritual idea found in Buddhism, Romanticism and elsewhere that “joy and sorrow do not exist alone, that is, to know one, we must know the other.” On view through October 29th, 2023, there will be an Opening Reception with the artist on First Friday, October 6th, from 5:00 – 8:00pm and an Artist Talk on Saturday, October 21st at 2:00 pm.
For more information about this exhibit, go to: https://www.kingstongallery.com/main-sills-2023
For free registration for the Artist Talk, go to: https://www.eventbrite.com/e/joy-and-sorrow-intertwined-artist-talk-featuring-vaughn-sills-tickets-726865082027?aff=oddtdtcreator
“I’ll Fly Away,” from the series TILT! by Fern Nesson, courtesy of the artist and Beacon Gallery, Boston.
Beacon Gallery – In her solo show TILT!, Fern Nesson’s abstract B&W photographs offer unique angles on natural and built geometries, inviting viewers to shift their own viewpoints and discover novel perspectives – an inspired and delightful analogy for looking at life. On view through October 29th, 2023, there will be a First Friday reception on October 6th from 5:00 – 8:00pm.
For more information about the exhibit, gallery hours and associated programming, go to: https://beacongallery.com/event-works.php?eventId=19045&event=Fern+L.+Nesson%3A+TILT%21
“Pulling” 2021 by Hannah Altman, courtesy of the artist and Abakus Projects, Boston.
Abakus Projects – In her solo show We Will Return to You, Hannah Altman explores an ambient sense of threat that has been passed down through Jewish rituals and symbols. Her visual fantasies express the tension between grief and resilience that continues to impact Jews today. On view from October 6th – October 29th, 2023, there will be an Opening Reception with the artist on First Friday from 6:00 – 8:30pm.
For more information about the exhibit and gallery hours, go to: https://www.abakusprojects.com/
BOSTON PROPER
Feature Image: “Brant Point Lighthouse, Nantucket, MA, 2022” from the series Day to Night by Stephen Wilkes, courtesy of the artist and Robert Klein Gallery, Boston.
Robert Klein Gallery – In his solo exhibition Gathering Time, Stephen Wilkes literally and figuratively extends his magnificent views in the renowned series Day To Night. His sweeping, immersive landscapes from locations across the globe will be on view through November 4th, 2023.
For more information about the exhibit and gallery hours, go to: https://www.robertkleingallery.com/exhibitions/76-stephen-wilkes-gathering-time-solo-exhibition/works/
Installation view of group show WHOM at Krakow Witkin Gallery, Boston
Krakow Witkin Gallery – Whom is a group exhibition of portraiture that examines issues around identity, memory and perception featuring historic and contemporary works from luminaries Christian Boltanski, Robert Fillou, Lyle Ashton Harris, Cary Leibowitz, Sherrie Levine, Liliana Porter, David Robbins, Thomas Ruff, August Sander, Cindy Sherman, Laurie Simmons, Lorna Simpson, James Van Der Zee, and David Wojnarowicz. On view through October 14th, 2023.
Self-Portrait from the exhibit How Easily We Come Undone by Jennifer McClure, courtesy of the artist and Leica Gallery Boston.
Leica Gallery Boston – In her solo exhibition How Easily We Come Undone, photographer Jennifer McClure mines the recesses of her personal life and career amidst the past decade of social upheaval. In striking contrast to the numbing isolation or cacophony, McClure’s intimate images whisper with visual elegance and emotional poignancy. On view from October 27th, 2023 – January 28th, 2024, there will be an Opening Reception with the artist on Friday, October 27th from 6:00 – 8:00pm.
For more information and/or to register for the free reception, go to: https://www.jennifermcclure.com/NEWS-AND-EVENTS/47
Faneuil Hall From Cornhill Street—New City Hall Under Construction on the Left, November 14,
1966. Gelatin silver print by Irene Shwachman, courtesy of Boston Athenaeum.
Boston Athenaeum (BA) – Famed documentary photographer Berenice Abbott is known for her commissioned photographs of NYC in the 1930’s but that assignment included other east coast cities like Boston, which she photographed with her characteristically empirical focus on composition. Thirty years later, Boston-based photographer Irene Shwachman, a onetime student of Abbott’s who photographed alongside, and even worked for a time as Abbott’s darkroom printer, diverged from her teacher’s approach as she created “The Boston Document” (1959-1968). Her lively, subjective lens highlighted the city’s 1960’s urban renewal projects, such as the demolition of the West End and erection of the Prudential Center. Exhibited together for the first time, Abbott and Shwachman elucidate seminal periods in Boston’s history with distinctive perspectives. Extending the timeline into the present, the Athenaeum has partnered with teen photographers of Artists For Humanity and displays their pictures at the entry to the gallery. Their images of Boston neighborhoods over the past two years offer fresh perspectives that broaden understanding of the city’s history. On view through December 30th, 2023.
To read our review, go to: https://www.whatwillyouremember.com/developing-boston-berenice-abbott-and-irene-shwachman-photograph-a-changing-city-at-boston-athenaeum/
For more information about the exhibit, go to: https://bostonathenaeum.org/blog/exhibition-abbott-schwachman/
Unidentified artist, African American Woman, American, 1860–79. Photograph, tintype. Charles H. Bayley Picture and Painting Fund.
Museum of Fine Arts, Boston (MFA) – Painted Tintypes: Photography for the People gathers a captivating and diverse selection of this personalized, inexpensive and decoratively framed form 19th century American portraiture, drawn from both private and MFA collections, on view through October 15th, 2023.
For our review of Painted Tintypes, go to: https://www.whatwillyouremember.com/revisiting-the-ruins-the-great-boston-fire-of-1872-at-boston-athenaeum-and-painted-tintypes-photography-for-the-people-at-museum-of-fine-arts-boston/
For more information on Painted Tintypes, go to: https://www.mfa.org/exhibition/painted-tintypes-photography-for-the-people
“Jumpin’ Jack Flash” by Ted Gartland, courtesy of the artist and Panopticon Gallery, Boston.
Panopticon Gallery – From the 1970’s to the present, Boston Globe photographer Ted Gartland has chronicled every concert performed here by the Rolling Stones. His dynamic images are on view in All Down the Line: The Rolling Stones in Boston, on view through November 15th, 2023.
For more information, go to: https://www.panopticongallery.com/ted-gartland
SOMERVILLE
Sprocket Rocket, Holga, Diana, Brownie Hawkeye Flash and pinhole cameras, among others, courtesy of STCF.
Somerville Toy Camera Festival (STCF) – This is the photo festival I await each fall with unabashed excitement. Fueling the fire, STCF’s 2023 dynamo curator is none other than Ann Jastrab, Executive Director at the Center for Photographic Art (CPA) in Carmel, California, who writes “I’ve been wanting to jury for years and I wasn’t disappointed. So many photographs, vignetted and sun-flared and just soft enough, to make me remember the dream that life can be.” LAST CHANCE! STCF’s 10th Anniversary celebration will run through October 7th, 2023.
For our review, go to: https://www.whatwillyouremember.com/somerville-toy-camera-festival-10th-anniversary-juried-by-ann-jastrab-in-ma/
For a complete schedule of STCF exhibits, gallery hours, directions and associated events, go to: http://www.somervilletoycamera.org/festival-events
CAMBRIDGE/WATERTOWN
Film stills from “Becoming Gray” by Nancy Grace Horton, courtesy of the artist and PRC, Boston.
Photographic Resource Center (PRC), Cambridge – Stills: Photographer/Filmmakers is a companion exhibition to the October 28th event, Moving Pictures, a day of film and conversation. The event features short films by photographer/filmmakers Jaina Cipriano, Stephen DiRado, Henry Horenstein, and Nancy Grace Horton (photo). Screenings of the film will be followed by discussion about the unique vision of photographers who also work in the medium of film. On view through November 15th, 2023 in the lower level of Lesley’s University Hall, the exhibition features photographs related to the films and highlight the filmmakers’ work processes.
For more information about the exhibition and film event, go to: https://www.prcboston.org/stills-photographer-filmmakers/
“Castle Island” by Jessica Rinaldi, courtesy of the artist and the Photographic Resource Center.
Opening later in the month at the Photographic Resource Center, For a Moment: Images from the Boston Photo League featuring local photojournalists and editorial photographers Lisa Abitbol, Jaypix Belmer, Darlene Devita, Marissa Fiorucci, Kate Flock, Collin Howell, Cassandra Klos, Meredith Nierman, Lauren Owens Lambert and Jessica Rinaldi. On view in the VanDernoot Gallery in Lesley’s University Hall, weekends only from October 13th through November 18th, 2023. An opening reception is planned for October 13th, from 6 to 8pm.
For more information:https://www.prcboston.org/for-a-moment-images-from-the-boston-photo-league/
“Pokeweed” by Ali Newhard, courtesy of the artist and Gallery 263, Cambridge.
Gallery 263, Cambridge – In Once Through a Lens, Jonathan Mark Jackson and Ali Newhard present work that considers the influence of New England’s landscape on each of their identities. Jackson investigates preserved sites of colonial racial slavery within the region through his patrilineal ancestry while Newhard combines still and moving imagery to create narratives through “queering and rupturing” that explore deviations in structure and gender. LAST CHANCE! On view through October 7th, 2023.
For more information about the exhibit and associated programming, go to: https://gallery263.org/exhibition/once-through-a-lens/
“Pokeweed” by Jonathan Mark Jackson, courtesy of the artist and Gallery 263, Cambridge.
From the series Tiksi by Evgenia Arbugaeva, courtesy of the artist and Bridge Gallery, Cambridge, MA.
Bridge Gallery, Cambridge – Disappearing Worlds: The photographs of Evgenia Arbugaeva and Natela Grigalashvili pairs the remarkable Siberian photographs of Arbugaeva’s “Tiksi” with Grigalashvili’s “Final Days of Georgian Nomads” on view through October 14th, 2023.
For more information, go to: https://www.bridge.photos/shows
From the series Final Days of Georgian Nomads by Natela Grigalashvili, courtesy of the artist and Bridge Gallery, Cambridge, MA.
“Boy Doll Head Masks” from the series Shehuo: Community Fire by Jhang Xiao, courtesy of the artist and Peabody Museum of Archaeology & Ethnology at Harvard University.
Peabody Museum of Archaeology & Ethnology at Harvard University, Cambridge – Photographer Zhang Xiao examines the effects of modernization on Chinese culture through the transformation of Shehuo: Community Fire, a traditional spring festival held in rural northern China that coincides with the New Year. Zhang, the 11th recipient of the Peabody Museum’s Robert Gardner Fellowship in Photography, documents the festivities and its commercialization in 2007, and then a decade later in 2017, with vivid and thought-provoking imagery. Accompanied by a book and additional programming, this English/ Chinese bilingual exhibit is on view through April 14th, 2024.
For more information about the exhibit and associated programming, go to: https://peabody.harvard.edu/shehuo-community-fire
For information about the Aperture book, go to: https://aperture.org/books/zhang-xiao-community-fire/
“displaced #36, On Arax St., Nor Marash, 2018” from the series Disrupted, Borders by Ara Oshagan, courtesy of the artist and Armenian Museum of America, Watertown.
Armenian Museum of America, Watertown – Across trans-national geographies and interconnected spaces, Ara Oshagan: Disrupted, Borders combines photography, collage, installation, and film in an exploration of diasporic identity, afterlives of displacement and colonization among disrupted and marginalized communities. Curated by Ryann Casey, the exhibit is on view through October 29th, 2023.
For more information, go to: https://www.armenianmuseum.org/disrupted-borders
THE BURBS
“Untitled” by Torrance York, from the series Semaphore, courtesy of the artist, Rick Wester Fine Art, NYC and the Danforth Art Museum.
Danforth Art Museum, Framingham – Torrance York’s Semaphore is a nuanced meditation on quotidian details, created in response to her diagnosis with Parkinson’s Disease. In images inviting spiritual contemplation, York has found a way not only to cope, but to thrive in the face of a difficult life challenge. On view from October 7th, 2023 – January 28th, 2024, there will be with an Opening Reception with the artist on Saturday, October 14th from 6:00 – 8:00pm. To RSVP to the reception go here.
For more information: https://danforth.framingham.edu
“The Lewis Glacier, Mt. Kenya, 1963” by Simon Norfolk, 2014 from the series When I am Laid in Earth, courtesy of the artist, Luisotti Gallery, Los Angeles and the Griffin Museum of Photography.
Griffin Museum of Photography, Winchester, MA — The threat to climate change is explored through the work of six photographers in a show called Ceding Ground featuring Simon Norfolk, Jason Lindsey, Camille Seaman, Bremner Benedict and Amber Crabbe. The museum also hosts Ellen Konar & Steve Goldbland in Ceding Ground: Cut Short, a series of portraits of felled trees. Outside the museum they present Dawn Watson’s Alchemy and a site specific installation by Ville Kansanen. On view through October 15th, 2023.
“Mohammed Ayub” by Craig Easton from the series Bank Top, courtesy of the artist and the Griffin Museum of Photography.
From the series Wig Heavier than Boot by David Johnson and Philip Matthews, courtesy of the artists and the Griffin Museum of Photography.
From the series Other Stories by Cody Bratt, courtesy of the artist and the Griffin Museum of Photography.
Later this month, the Griffin Museum of Photography presents the Arnold Newman Prize for New Directions in Photographic Portraiture winner Craig Easton alongside finalists Dylan Hausthor, Takako Kido and Nzingah Oyo from October 19th through the 29th, 2023. Also on view, a collaboration of photography, poetry and film between David Johnson and Philip Matthews called Wig Heavier than a Boot and Cody Bratt’s The Other Stories, on view from October 19th through December 10th, 2023.
For more information and related programming go to: https://griffinmuseum.org
The Shelley Hoon Keith Gallery at Curry College, Milton – Olivia Parker’s ingenuity erupts again in her latest work and solo show, Persephone’s Graffiti, a “collaboration” between the artist and her backyard mushrooms. Each fall, they complete their life cycle with explosions of black spores, followed by inky effusions. Parker records the mushrooms’ death knells against white paper, as they reflect the blue sky above and insects leave their oblivious tracks. Parker’s spirited abstractions embrace visual and metaphoric contrasts, recognizing the transcendent beauty of life in the face of mortality. On view through November 1st, 2023, there will be a Reception with the artist on Tuesday, October 17th at 6:30pm.
For more information, go to: https://www.curry.edu/student-life/student-center/hoon-keith-quiet-study-lounge
Hank Willis Thomas (b. 1976), “Jermaine & Logan, 2002”, courtesy of the artist and Peabody Essex Museum, Salem, MA.
Peabody Essex Museum, Salem – Organized by the Aperture Foundation, As We Rise: Photography from the Black Atlantic is the season’s can’t-miss, blockbuster exhibit. Drawn from Dr. Kenneth Montague’s “Wedge Collection” (named for the shape of his home gallery) in Toronto, As We Rise is dedicated to artists of African descent. Highlighting themes of community, identity and power, this inspired collection features over one hundred works by artists such as Texas Isaiah, Gordon Parks, Dawoud Bey, LaToya Ruby Frazier, Seydou Keita, Michele Pearson Clarke, Ruddy Roye, Hank Willis Thomas (photo), Malick Sidibé, Dawit L. Petros, Deana Lawson, Carrie Mae Weems and Jamel Shabazz. On view through December 31st, 2023.
For our review, go to: https://www.whatwillyouremember.com/as-we-rise-photography-from-the-black-atlantic-wedge-collection-kenneth-montague-at-peabody-essex-museum-salem-ma-and-aperture-book/
For more information about the exhibit, book and associated programming, go to: https://www.pem.org
“Caution” by Judith Montminy from the exhibition Simplicity, courtesy of the artist and the Helen Bumpus Gallery, Duxbury, MA.
Helen Bumpas Gallery, Duxbury – Simplicity features work by the “Minimalist Focus” group of the Duxbury Camera Club. Graphic and elemental images by Barbara Canney, Judith Laliberte, Judith Montminy, Camille Neville, Randy Otto, Glenn Pollock, Judy Pollock, Rain Rodolph and Myrna Walsh will be on view through October 31st, 2023.
For more information: https://helenbumpusgallery.com/exhibits/current
“Agricultural Panel B” by Archy LaSalle, Digital Silver Print, courtesy of the artist and Fitchburg Museum of Art.
Fitchburg Art Museum (FAM), Fitchburg– The museum opens two multi-media shows with a large selection of photographs in each one. The first is Dialogues, Diasporas, and Detours Through Africa will include photography by Archy LaSalle, George Annan, Lou Jones and Sharon Dunn in dialog with some of the museum’s collection of African sculpture and textiles. The second show, Capital Vice: Politics of the Seven Deadly Sins includes photographs from the collection by several local photographers such as Greer Muldowney and Barbara Norfleet among others. An opening reception is planned for October 21st from 2:00 – 5:00pm, and both shows will be on view from October 14th, 2023 through January 14th, 2024.
“Open Door, Beirut, Lebanon” by Rania Matar, 2022, from the series Where Do I Go? courtesy of the artist, Robert Klein Gallery, Boston and the Fitchburg Art Museum.
Also at FAM– Rania Matar: Oceans at My Door celebrates the museum’s acquisition of Matar’s She portfolio. The exhibit includes new work from her more recent series, Where Do I Go?, an investigation of Lebanese women navigating the crossroads of a country in crisis. On view through January 7th, 2024.
To read our review: https://www.whatwillyouremember.com/rania-matar-oceans-at-my-door-at-fitchburg-art-museum-ma/
A talk with Matar is scheduled for Saturday November 18th at 2pm followed by A Night at the Museum: Evening in Red with special guests Rania Matar, guest curator of Dialogues, Diasporas, and Detours Through Africa Dell Hamilton, and several of the exhibiting artists.
For more information on exhibitions and programming go to: https://fitchburgartmuseum.org
ROAD TRIP!
Connecticut
“Crush & Pull with Hands & Penlights” 2022, by Ellen Carey, courtesy of the artist, JHB Gallery, NYC, Galerie Miranda, Paris, and New Britain Museum of American Art, CT.
New Britain Museum of American Art, New Britain – Ellen Carey: Struck by Light is a sweeping retrospective of Carey’s pioneering explorations of light, color, and shadow. Works include dazzling examples of her Polaroid 20 X 24 lens-based images and large-scale camera-less photograms that demonstrate Carey’s boldly experimental approach to image-making. On view through January 28th, 2024, Ellen Carey & John Reuter will be giving a Virtual Lecture on Sunday, November 5th at 2:00pm.
For free registration to the Virtual Lecture, go to: https://nbmaa.org/events/virtual-lecture-ellen-carey
For more information about the exhibit, go to: https://nbmaa.org/exhibitions/ellen-carey-struck-by-light
Rhode Island
“Birth in Futureverse” by David Benjamin Sherry, 2009, courtesy of the artist and RISD Museum, Providence, RI.
RISD Museum, Providence – The Performative Self-Portrait considers the ways artists use self-portraiture to enact the self, question history, and articulate identity. Photographs in the exhibition range from the 1930’s to new acquisitions displayed for the first time, on view through November 12th, 2023.
To read our review, go to: https://www.whatwillyouremember.com/the-performative-self-portrait-risd-museum-providence-ri/
For more information, go to: https://risdmuseum.org/exhibitions-events/exhibitions/performative-self-portrait
Diptych by David DeMelim at RICPA.
Rhode Island Center for Photographic Art (RIPCA), Providence – Two concurrent solo shows close out the summer season with presentations encouraging viewers to see differently. David DeMelim’s In the Mind’s Eye riffs on the mind’s flow during the creative process in single, diptych and panoramic formats. In the first in a series focusing on books, Stephen Starkman’s The Proximity of Mortality: A Visual Artist’s Journey Through Cancer presents his book on the gallery walls, rather than prints, to elucidate the crafting and collaborative process of bookmaking. Both exhibits have been extended through October 13th, 2023.
Coming next to RIPCA a show called Interlines, Lifelines, Redlines: Social Markers of Race, Class & Economics juried by photographer Eric Kunsman will open with a reception from 5 to 8pm on October 19th and will be on view through November 10th, 2023.
For more information: https://www.riphotocenter.org
Maine
“Emancipation Day, Jamaica, August 1” by an unknown photographer, circa 1895, gelatin silver print, 11 9/16 × 9 7/16 inches. Art Gallery of Ontario. Gift of Patrick Montgomery, through the American Friends of the Art Gallery of Ontario Inc., 2019. Photo © AGO. 2019/2704.
Portland Museum of Art, Portland – By bringing contemporary works into conversation with historic photographs from the Art Gallery of Ontario’s (AGO) Montgomery Collection of Caribbean Photographs Fragments of Epic Memory will immerse visitors in the Caribbean and its diaspora. The exhibition will engage personal memory and myth through past and present works of art curated by curated by Julie Crooks, PhD, Curator, Arts of Global Africa and the Diaspora at the Art Gallery of Ontario and the Portland Museum of Art’s Anjuli Lebowitz, PhD, the Judy Glickman Lauder Associate Curator of Photography. On view from October 6th, 2023 through January 7th, 2024.
For more information: https://www.portlandmuseum.org/fragments
“Against these Ruins” by Suzanne Theodora White, courtesy of the artist and the Maine Museum of Photographic Arts.
Maine Museum of Photographic Arts – Portland – Spiritual Ecology is an idea that proposes that there is a spiritual element related to efforts around conservation and environmentalism. The exhibition includes photographers engaging ideas around our earth’s stewardship. They are Cole Caswell, Sal Taylor Kydd, Suzanne Theodora White (photo), Brian Buckley, Susan Davens, Joyce Tenneson, Sue Michlovitz, Ted Anderson, Jessica Burko, DM Witman, Amisha Kashyap, Paul Rider, Eugene Cole and Deb Dawson. On view from October 6th through December 2nd, 2023. An opening reception is planned for October 6th from 5 to 8pm.
For more information: https://www.mainemuseumofphotographicarts.org
“Mya Khaing” by Chan Chao, 1997, c-print, courtesy of the artist and the Bowdoin Museum of Art, Brunswick, Maine.
Bowdoin College Museum of Art, Brunswick – Through more than 120 photographs by more than four dozen leading contemporary artists, People Watching: Contemporary Photography Since 1965 explores the phenomenon of “people watching” as a recreational activity, an act of surveillance, a type of harassment, a sign of empathy, and a documentary form of expression. Well worth the drive, on view through November 5th, 2023.
For our review, go to: https://www.whatwillyouremember.com/people-watching-contemporary-photography-since-1965-bowdoin-museum-of-art-brunswick-maine/
For more information, go to: https://www.bowdoin.edu/art-museum/exhibitions/2023/people-watching.html
“Caulerpa Sertularioides, Green Feather Algae,” Cyanotype by Nanci Kahn and Meredith Kennedy, courtesy of the artists and Maine Jewish Museum, Portland.
Maine Jewish Museum, Portland – Nanci Kahn and Meredith Kennedy’s collaborative cyanotypes of seaweeds and plants by the water’s edge become lyrical meditations on the fleeting quality of sun glinting on water, in Sun. Water. Weeds, on view through October 27th, 2023.
For more information, go to: https://mainejewishmuseum.org/exhibits/sunlight-water-seaweeds/
Photograph by Jamil Baldwin, courtesy of the artist and the Vermont Center for Photography.
Vermont Center for Photography, Brattleboro – Zora Murff selected eight artists from a juried, un-themed call but noticed “community’ and “care” as visual through lines in the submissions. The exhibiting artists Jamil Baldwin, Daniel Diasgranados, Steph Foster, Brandon Foushee, Jamie Ho, Natasha Moustache, Chelsea Pineda and Glenn Sonnie Wooden each exhibit a distinct aesthetic personality and developed sense of connection with their subject matter. On view through October 29th, 2023.
For more information, go to: https://vcphoto.org/2023-open-juried-exhibition/
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