By Elin Spring and Suzanne Révy
At long last, summer! These are our glory days in New England, the season when everyone flocks to the region, from our sparkling coastline, Cape Cod & Islands to the pristine Berkshire, White and Green mountains. Not to mention lively festivals sprinkled from city to countryside. Whether a resident or visitor, we are happy to guide you to photography exhibits and events you won’t want to miss throughout the region this summer, arranged geographically for your planning convenience. Please feel free to check back during July and August, as we update and add listings regularly.
BOSTON PROPER

Constantine Manos, “Man Sunning Himself on 4th of July, Government Center, Boston, MA, 1976” gelatin silver print by the artist, courtesy of Robert Klein Gallery, Boston and Leica Gallery Boston.
Leica Gallery Boston – Seeing Across Generations presents three generations of Boston-based photographers who have documented our city and beyond. Photographs from the renowned 1970’s series Bostonians by the late, great Constantine Manos (photo above) are in dialog with those by his student and friend Stella Johnson and images by her student and friend, Iaritza Menjivar, each offering their affecting and distinctive perspectives on human connection. On view from July 17th – September 14th, 2025.
There will be an Opening Reception on Thursday, July 17th from 6:00 – 8:00pm and an Artist Panel Discussion on Saturday, July 26th from Noon – 2:00pm.
To read our review: https://www.whatwillyouremember.com/constantine-manos-stella-johnson-iaritza-menjivar-in-seeing-across-generations-at-leica-gallery-boston/

From the series Vermont Female Farmers by JuanCarlos González, courtesy of the artist and Leica Gallery Boston.
Leica Gallery Boston – What comes to mind when you think of farmers? Probably not women. When photojournalist JuanCarlos González learned 41% of Vermont farmers are women, he traveled across Vermont to chronicle the daily routines of 45 female farmers and their agricultural practices, from saffron cultivation and goat farming to flower and produce growing. Inspired by his Puerto Rican grandmother’s unheralded labors, González sheds light on the lifestyle of these perseverant agricultural laborers. LAST CHANCE! On view through July 13th, 2025.
For more information about all shows and events, go to: https://www.instagram.com/leicagalleryboston/

“Osmunda cinnamomia, cinnamon fern” from the series Wild Flowers of New England, platinum print by Edwin Hale Lincoln, courtesy of Boston Athenaeum.
Boston Athenaeum – Featuring the elegant, renowned platinum prints of Edwin Hale Lincoln (1848-1938), Wild Flowers of New England highlights his unique blend of scientific specificity and artistic expression. The exhibit also places Lincoln’s work in conversation with botanical printers and photographers of the past and present, who share his reverence for the ephemeral beauty of native plants and contextualize his practice within the larger effort to document and preserve New England’s wildflowers. On view in the Alcove Gallery, A Living Archive examines the collaborative work of photographer Lindsey Beal and paper and printmaker May Babcock. Together they use alternative photographic processes such as anthotypes and creative papermaking techniques to create work that reflects the New England landscape. On view through September 5th, 2025, the artists are presenting a free, public talk “A Living Archive” on Tuesday, July 29th from 6:00 – 7:00pm.
For more information, go to: https://bostonathenaeum.org/whats-on/exhibitions/edwin-hale-lincoln-wild-flowers/

From the series The People of Chelsea Project by Darlene DeVita and Sarah Putnam, courtesy of the artists and Griffin Museum of Photography.
Griffin Museum Gallery at Lafayette City Center (LCC), Downtown Crossing – The best part of any city is its people and in Vision(ary): The People of Chelsea, photographer Darlene DeVita and partner Sarah Putnam capture the great vibrancy and diverse history of Chelsea, Massachusetts in compelling photographs and stories. On view through September 30th, 2025.
For more information about this exhibit and planned events in September, go to: https://griffinmuseum.org/show/peopleofchelsea_lcc/

“Park Avenue” by Lou Jones, courtesy of the artist and FP3 Gallery, Boston.
FP3 Gallery, Fort Point, Boston – Honed from decades of photographs whose original assignments ranged from editorial to corporate to advertising, Lou Jones’ solo exhibition Every Color Has a Different Song spans continents and cultures. Colorful graphics and spontaneity underline his visual genius and abundant empathy, creating a visual symphony that transcends each image’s original purpose. On view through September 26th, 2025, there will be an Opening Reception with the artist on Thursday, July 31st from 5:30 – 7:00pm.
For more information, go to: https://www.fortpointarts.org/f-p-3-gallery/

Photograph by Eric Antoniou, courtesy of Panopticon Gallery, Boston.
Panopticon Gallery – Rock to Baroque assembles Eric Antoniou’s images of musicians that he has photographed over the past four decades in Boston. On view through July 31st, 2025, there will be a Closing Reception on Thursday, July 31st from 6:00 – 8:00pm. Signed copies of his accompanying book will be available for purchase.
For more information, go to: https://www.panopticongallery.com/
SOWA – Boston’s South End Arts District

“Laura (Father’s Day, her birthday early, mine late, 17.5 weeks) (For Lucas), June 15, 1997”
Quadtych of four framed vintage gelatin silver prints by Judith Black, courtesy of the artist and Abakus Projects, Boston.
Abakus Projects – The incisive, ruminating photographs in Judith Blacks’ solo show Tangible Memories are at once a family album and opportunities for reflection and invention. Images spanning over 40 years of her family’s domestic life “are actual physical memories, evoking stories, truths and lies, all of which are ever changing, depending on the reader’s perspective.” On through July 27th, 2025.
For more information, go to: https://www.abakusprojects.com/
GREATER BOSTON – Cambridge, Somerville and Jamaica Plain

“And Yet It Moves” 2016 © TRES [ilana boltvinik + rodrigo viñas], courtesy of the artists and Peabody Museum of Archeology & Ethnology at Harvard University, Cambridge, MA.
For more information, go to: https://peabody.harvard.edu/castaway-afterlife-plastic

Rebecca Horn, German (Michelstadt, Germany 1944 – 2024 Bad König, Germany), “Einhorn” (Unicorn), 1971/2000, Harvard Art Museums/Busch-Reisinger Museum, Gift of the artist, © Rebecca Horn / Artists Rights Society (ARS), NY / VG Bild-Kunst, Bonn.
Photograph by Achim Thode, Published by Galerie Eric Franck.
Harvard Art Museums, Cambridge – In Memoriam: Rebecca Horn (1944–2024) pays tribute to the German multi-media artist whose tactile, surreal work explored relationships between the human body and its surroundings, animate and inanimate objects, and external and interior spaces. Photographs and audiovisual work will be on view in Gallery 1100 (Modern and Contemporary Art) through October 5th, 2025.
For more information, go to: https://harvardartmuseums.org/visit/floor-plan/1/1100

“Ozempic” from the series #influenced by Laura Beth Reese, courtesy of the artist and PRC Cambridge.
Photographic Resource Center (PRC), Cambridge – The group exhibition Power Play features six artists whose work questions ideas of cultural dominance with artful resistance: Laura Beth Reese (above), Yukai Chen, Julie Francois, Lisa Tang Liu, Pamela Pecchio and Homa Sarabi. On view from July 11th – August 17th, 2025, there will be an Artist Talk from 4:00 – 5:00pm, followed by an Opening Reception from 5:00 – 7:00pm on Saturday, July 12th.

Coming next to PRC – EXPOSURE 2025, the 29th Annual Members’ Juried Exhibition features twelve artists selected by guest juror Conor Moynihan, Assistant Curator of Prints, Drawings, and Photographs at the RISD Museum in Providence, RI. On view from August 22nd – October 4th, 2025, there will be an Opening Reception on Friday, August 29th from 6:00 – 8:00pm.
For more information, go to: https://www.prcboston.org/exhibitions/

The Multicultural Arts Center, East Cambridge – Over the past two decades, photojournalist Bill Chapman has traveled to Rickwood Field in Birmingham, Alabama to photograph surviving players of the Negro Leagues, those venerable organizations that garnered the talents of would-be Major League baseball players before racial integration in 1947. On view through August 1st, 2025, there will be Closing Reception on Thursday, July 31st from 6:00 – 8:00pm with historian Bill Nowlin and Red Sox alum Sam Horn.
For more information, go to: https://multiculturalartscenter.org/nlp/

Bridge Gallery, Cambridge – For unfailing Beatles fans, there’s this: “For an 18 month period in the early 70’s John Lennon and Yoko Ono split apart and Lennon embarked on what he dubbed his “Lost Weekend.” May Pang was his lover throughout that creatively productive time in Lennon’s career and was documenting it with her camera.” In an admittedly financial move, May Pang and her promoter are offering her pictures through galleries nationwide this summer. The show will be landing here Friday, July 18 from 4:00-8:00PM, Saturday, July 19 from 12:00-6:00PM, and Sunday, July 20 from 12:00-4:00 PM. Pang will be present on Saturday and Sunday, selling & signing photographs.
For more information, go to: https://www.bridge.photos/contact

The Curated Fridge 2025 Summer show is curated by Karen Haas, Lane Senior Curator of Photographs at the Museum of Fine Arts, Boston.
The Curated Fridge, Somerville – Celebrating its 10th Anniversary, The Curated Fridge 2025 Summer Show features the selections of juror Karen Haas, Lane Senior Curator of Photographs at MFA, Boston. The Opening Reception and Anniversary Party is on Sunday, July 27th, 2025 from 5:00 – 7:00pm at 281 Medford Street, just behind the public library.
For more information, go to: https://www.instagram.com/p/DL70c08TvIR/

Jamaica Plain Branch of Boston Public Library – Boston-based photographer Joni Lohr’s solo exhibit Inside Out features eerie yet peaceful pictures taken from the inside of abandoned buildings, looking out into the environment. She finds “a spirit in these places…that resists the rust and rot of their circumstances” and testifies to their former life and purpose, further contextualized by the contrast of their outside surroundings. On view through August 27th, 2025.
For more information, go to: https://www.bpl.org/current-exhibitions/
THE BURBS

Photograph by Vaune Trachtman courtesy of the artist and the Griffin Museum of Photography.
Griffin Museum of Photography, Winchester – It’s the time of year for the big, splashy group shows! A summer favorite is the 31st Annual Member’s Juried Show with selections by Ann Jastrab, Executive Director at the Center for Photographic Art in Carmel, California. The exhibit boasts 68 images including Vaune Trachtman’s photo (above). On view from July 5th – August 17th, 2025.

From the exhibition Far From by Alina Saranti, courtesy of the artist and the Griffin Museum of Photography.
Also at the Griffin Museum of Photography, Winchester – In Far From, Alina Saranti embroiders thread through her black and white landscape pictures, offering a glimpse into the sphere of “women’s work” over the types of photographs traditionally made by men in the last century. For another delectable summer treat, do not miss the 15th Annual Photo Book exhibition alongside the Handmade Photobook exhibition. The museum’s Outdoor Gallery spotlights the work of Cummings Fellow André Ramos-Woodard. The Annual Juried Show and Alina Saranti exhibit are on view from July 5th – August 17th, 2025; others are on view through September 28th, 2025. The Opening Reception for ALL exhibits is on Friday, July 11th from 6:00 to 8:00pm.
To read our review: https://www.whatwillyouremember.com/31st-annual-members-juried-photo-exhibition-at-the-griffin-museum-in-winchester-ma/
For more information and related programming: https://griffinmuseum.org/show/31mje2025/

Wayne F. Miller “Father and son at Lake Michigan, May 23, 1947,” Gelatin silver print, Gift of the Wayne F. Miller Family, 2023.33
Addison Gallery of American Art, Andover – Drawing on its extensive photographic archive, museum Director Allison Kemmerer has curated Dynamic Duo, an exhibit that considers the relationships and interactions of two beings sharing space, whether they be romantic partners, family members, close friends, rivals, strangers, or interspecies companions. On view through July 31st, 2025.
To read our review, go to: https://www.whatwillyouremember.com/dynamic-duos-group-photo-show-at-addison-gallery-of-american-art-in-andover-ma/
For more information, go to: https://addison.andover.edu/exhibition/dynamic-duos/

From the series Overheard in the Orchard by Ellen Harasimowicz, courtesy of the artist.
Three Stones Gallery, Concord – Ellen Harasimowicz collaborated with the writer, artist and orchardist Linda Hoffman in conversation with one of the apple trees Hoffman cares for on her farm in their year-long endeavor called Overheard in the Orchard. Their project will be included in a group show called Fruits of our Labors from July 30th through August 31st, 2025. There will be a book reading on August 5th from 6:30 to 7:30pm, and an opening reception on August 9th from 6 to 8pm.
For more information: https://www.threestonesgallery.com

Installation view of a woman in her dream job, from the series Bewitched (2001-ongoing) by Jung Yeondoo, courtesy of the artist and Peabody Essex Museum, Salem, MA. (Photo by Elin Spring)
Peabody Esssex Museum (PEM), Salem – As part of their summer Korean art bonanza, PEM presents Building Dreams, South Korean artist Jung Yeondoo’s photographic and video examinations of his people’s dreams and aspirations. In his series Bewitched, subjects pose identically in side-by-side scenes picturing what they do versus what they want to do. In the series Evergreen Towers, Yeondoo observes the individuality and personalities of families living in identical units of generic high rise buildings. On view through January 25th, 2026.
To read our review: https://www.whatwillyouremember.com/korean-photographer-jung-yeondoo-building-dreams-show-at-peabody-essex-museum-salem-ma/
For more information, go to: https://www.pem.org/exhibitions/jung-yeondoo-building-dreams

“1957 Chevrolet Corvette” by Sean Sullivan, courtesy of the artist.
Heftler Visiting Artist Gallery, Endicott College, Beverly – Photographer & professor Larry Volk and former student, photographer Sean Sullivan share their passion in a two-person exhibit, DRIVEN: The Art and Culture of Classic Cars. Sullivan’s Classic Style showcases cars made between the 1930’s and 1960’s, “stunning sculptural artifacts of American culture,” in his signature bright and bold graphic compositions. Volk’s Autorama: Car Culture in America highlights people and their passion for machines that are “vessels of identity, legacy and connection.” On view through August 1st, 2025.
For more information, go to: https://www.eventbrite.com/e/driven-the-art-culture-of-classic-cars-tickets-1405779156299?aff=erelexpmlt

“Maserati Birdcage, Monterey Historic Races” from the series Autorama: Car Culture in America by Larry Volk, courtesy of the artist.
CENTRAL AND WESTERN MASSACHUSETTS

“Mid-Route Map” by Anne Hopkins from the series Gathered, courtesy of the artist and the Fitchburg Art Museum.
Fitchburg Art Museum, Fitchburg – Anne Hopkins, winner of last year’s 88th Annual Exhibition of Art and Craft specializes in image transfer onto found objects. Her solo exhibit features two bodies of work, Gathered and Seaworthy Vessels. On view through September 7th, 2025.
For more information: https://fitchburgartmuseum.org/anne-hopkins-gathered-and-seaworthy-vessels/

“Ascendo” by Tara Sellios from the series Ask Now the Beasts, courtesy of the artist and the Fitchburg Art Museum, Fitchburg, MA.
Ongoing at Fitchburg Art Museum, Fitchburg – Tara Sellios: Ask Now the Beasts revels in the dance between mortality and immortality through still-life images of organic material such as dried flowers, desiccated insects and animal skeletons. Sellios creates these divine and physical tableaux based on expressive and detailed sketches, then renders them in lush color on 8″ by 10″ film and large format prints. On view through January 18th, 2026.
To read our review: https://www.whatwillyouremember.com/ask-now-the-beasts-tara-sellios-at-fitchburg-art-museum-in-ma/
For more information about all exhibits and to register for events, go to: https://fitchburgartmuseum.org

“Penn Station” by Berenice Abbot, 1935–38, printed 1982, gelatin silver print. The Clark, Gift of A&M Penn Photography Foundation by Arthur Stephen Penn and Paul Katz.
The Clark, Williamstown – Berenice Abbot’s Modern Lens celebrates the photographer’s best known work documenting the evolving urban landscapes of New York City in the late 1930’s. After living in France and being influenced by Man Ray, Abbot’s compositions of cavernous structures and towering skyscrapers are as surreal as they are concrete. On view through October 5th, 2025.
For more information: https://www.clarkart.edu/microsites/berenice-abbott/exhibition-overview/about-the-exhibition
CAPE COD

Feature Image: “Ross wild harvesting, 2024” from the series By the Tide by Edward Boches, courtesy of the artist.
Wellfleet Preservation Hall – For the past six years, photographer Edward Boches has been documenting the Wellfleet shellfishing community, accompanying them out to their grants on Loagy Bay and Fields Point, recording the labor, energy and spirit of the men and women who provide their famous oysters to the world. By the Tide features 60 of Boches’ inspiring B&W photographs, in a festive confluence of July, Wellfleet, oysters, and Prez Hall. On view through July 31st, 2025.
NOTE: With support from the Wellfleet Oyster Association, there will be an Opening Reception with the artist, complete with a raw bar on Wednesday, July 16th from 5:00 – 7:00pm. On Friday, July 18th, there will be an Artist Talk and education event from 5:00 – 6:00pm.

“Oma’s Blues” by Lisa Cohen, courtesy of the artist.
Coming next to Wellfleet Preservation Hall is Lisa Cohen’s Beneath the Layers, a photography-based, mixed media solo exhibit delving into the impacts of immigration. By drawing on her own family’s struggles as immigrants from Germany following WWII, Cohen invites us to reflect on migration circumstances today. Her layering of photo transfers, encaustic wax and painting on aged materials infer the complexities of displacement and its deep emotional effects on personal resilience and family bonds. On view from August 1st – 31st, 2025, there will be an Opening Reception with the artist on Friday, August 1st from 5:00 – 7:00pm.
For more information about July and August exhibits, go to: https://www.wellfleetpreservationhall.org/

“Clown Dancing” from the series Theatre of the Absurd by Fran Forman, courtesy of the artist and The Workspace Gallery.
The Workspace Gallery, Eastham – In the latest iteration of invention from Fran Forman, her photographic and AI-generated images in Theater of the Absurd ponders “America’s unsettling drift toward authoritarianism.” While her scenarios convey isolation, suspicion and absurdity, her deft representations of children and clowns become symbols of resilience that reassure us that all is not lost. On view July 10th – August 31st, 2025, there will be an Opening Reception with the artist on Thursday, July 10th from 5:00 – 7:00pm.
There will be a Gallery Reception at 5:00pm and Artist Talk at 6:00pm on Thursday, August 14th.
For more information, go to: https://bobkornimaging.com/gallery/

Self-Portrait by Mark Chester, courtesy of the Cape Cod Museum of Art, Dennis , MA.
Cape Cod Museum of Art, Dennis – Sublime to Ridiculous features a delightful selection of freelance photojournalist Mark Chester’s prints spanning five decades of travel and human-interest stories published in newspapers nationwide. On view through August 10th, 2025.
For more information, go to: https://www.ccmoa.org/mark-chester

“Blue Leopard Tondo” 2025, archival pigment print on Washi paper, matte varnish, mounted on birch panel, by Kimberly Witham, courtesy of Gary Marotta Fine Art, Provincetown, MA.
Gary Marotta Fine Art, Provincetown – In Vignettes and Visions, Kimberly Witham’s still-life photographs find moments of ephemeral beauty within her contemplations of excess and decay. As ever, she draws inspiration from the light and clarity of Dutch Golden Age painting. Recent Works are printed on Japanese Washi Paper, varnished and mounted on birch wood panels. On view from July 18th – August 28th, 2025, there will be Opening Receptions with the artist on Friday, July 18th and Saturday, July 19th from 7:00 – 9:00pm.
For more information, go to: https://garymarottafineart.com/
ROAD TRIP!
Rhode Island

Courtesy of the Rhode Island Center for Photographic Arts.
Rhode Island Center for Photographic Arts (RICPA), Providence – Bill Parker: A Matter of Influence brings together works by nineteen former students and colleagues of William E. Parker, including a wide variety of silver gelatin prints. Participating artists are Renee Allie, Mauro Altamura, Stephan Apicella-Hitchcock, John Back, Reenie Barrow, Stephan Brigidi, Hilary French, Wendy Gogel, Peg Harrigan, Ted Hendrickson, Bob Kelley, Mary Kocol, Dean Kotula, Bob Martin, Stephen Petegorsky, David Seigel, Jim Stone, Brian Swift & John Willis. On view through July 11th, 2025.
For more information, go to: https://www.riphotocenter.org/

Courtesy of the Rhode Island Center for Photographic Arts.

Courtesy of the Rhode Island Center for Photographic Arts
Also at the RIPCA, Providence – Resistance: Seen or Unseen, a juried show exploring the ethos of protest and resistance, on view through August 15th, 2025 and My Mother’s House by Russell Hart, who probes the ephemera found in his mother’s home, on view from through September 12th, 2025.
For more information: https://www.riphotocenter.org

“Braid mill, Pawtucket, RI” by Steve Dunwell, 1975, courtesy of the artist.
Museum of Work and Culture, Woonsocket, RI – Made between 1973 and 1978, photographer Steve Dunwell explored the dying textile mills around New England. Dunwell will give a presentation about the work and the industry it depicts and there will be a screening of the documentary “Slatersville: America’s First Mill Village” by Christian deRezendes on Labor Day from 11am to 2pm. On view from August 15th through October 24th, 2025.
For more information: https://www.rihs.org/locations/museum-of-work-culture/
Connecticut

Tod Papageorge at MoCA CT
Museum of Contemporary Art Connecticut (MoCA CT), Westport – The long time Yale educator, Todd Papageorge spent several summers on the beaches in Los Angeles, photographing with medium format camera and black and white film. This retrospective look, Tod Papageorge: At the Beach, is paired with In the Pool: On Influence featuring work from many of his graduate students. Curated by Lisa Kereszi both exhibitions are on view through October 26th, 2025.
For more information: https://mocact.org/exhibitions/
New Hampshire

“Ha’ina ‘ia mai” by Cara Romero, 2024, archival pigment print. Collection of the artist. © Cara Romero, courtesy of the Hood Museum, Hanover, NH.
Hood Museum, Hanover, NH – In her first major solo exhibition, artist Cara Romero explores themes of indigenous culture. Titled Cara Romero: Panûpünüwügai (Living Light), the show includes over sixty large-scale photographs and site specific installations curated by Dr. Jami Powell, Associate Director of Curatorial Affairs and Curator of Indigenous Art. On view through August 10th, 2025.
For more information: https://hoodmuseum.dartmouth.edu/news/2023/11/hood-museum-present-cara-romeros-first-solo-museum-exhibition-2025
Maine

“Trees are Dancing, Alvin Ailey” by Caroline Savage, courtesy of the artist and the Maine Museum of Photographic Arts.
Maine Museum of Photographic Arts, Portland – The New Abstraction features works by Deb Dawson, Bryan Graff, Carol Eisenberg, Tara Sellios, Paul Rider, Luc Demers, Rush Brown, John Gintoff, Joan Fitzsimmons, Caroline Savage, Andrew O’Brien and Brenton Hamilton. On view through July 26th, 2025.

“Alien Dog” by June Kim, courtesy of the artist and the Maine Museum of Photographic Arts.
Also at the Maine Museum of Photographic Arts, Portland – Women in Print: A Celebration of Works on Paper featuring photographers based in Maine and New England who work with a variety of contemporary and antique materials and mixed media covering a wide range of subjects. Participating artists are June Kim, Deb Dawson, Joyce Tenneson, Lisa Mosel, Jeannie Hutchins, Sal Taylor Kydd, Asia Kepka, Tara Sellios, Claire Seidl, Elizabeth Greenberg, Astrid Reischwitz, Suzanne Theodora White, Bernice Abbot, Caroline E. Savage, Sara Stites, Karen Olsen, Linda Conner, Fay Godwin, Carol Eisenberg, Christine Higgins, DM Witman and Susan Rosenberg Jones. A reception is planned for August 1st from 5 to 8pm, and artist talks on August 22nd and September 19th. On view from August 1st through September 27th, 2025.
For more information:https://www.mainemuseumofphotographicarts.org

Phenomena at Cove Street Arts, Portland, Maine.
Cove Street Arts, Portland – Phenomena curated by Bruce Brown features the surreal work of Adam Ekberg and atmospheric abstractions by Sarah Szwajkos. On view through August 9th, 2025.
For more information: https://www.covestreetarts.com/exhibitions-1/phenomenapreview

“Serpent #1” by Jo Sandman, 1998, platinum/palladium print, courtesy of the artist and the Portland Museum of Art.
Portland Museum of Art, Portland – Jo Sandman: Skin Deep celebrates the museum’s acquisition of twelve unique photograms of snakeskins arranged as hieroglyphs. On view through August 17th, 2025.
For more information: https://www.portlandmuseum.org/jo-sandman-skin-deep
Vermont

From the “Newark” series by Joan O’Bierne, courtesy of the artist and the Vermont Center for Photography.
Vermont Center for Photography, Brattleboro – Joan O’Bierne: Detachments features acrylic gel lifts of printed images transferred onto new surfaces creating gossamer compositions of soft folds and wrinkles which add narrative meaning. In addition, the show includes a series of similarly crafted self-portraits. On view from July 4th through August 31st 2025 with a reception planned for Friday July 11th, 5 to 8pm, and an artist talk planned for Sunday August 10th at 5pm.
For more information: https://vcphoto.org

“Mermaid Moon” by David Sokosh, from the exhibition Blueprint of a Collection, courtesy of the artist and the Shelburne Museum.
Shelburne Museum, Shelburne – Using a large format camera and the cyanotype process, artist David Sokosh explores the Shelburne’s collection of American ephemera. Honoring the vision of the museum’s founder Electra Havemeyer Webb, Blueprint of a Collection: Cyanotype Photography by David Sokosh presents the collection with his fresh, inventive imagery. On view through October 26th, 2025.
For more information: https://shelburnemuseum.org/exhibition/blueprint-of-a-collection/
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